This review is spoiler-free. He is now head of the family, managing various properties, including a very profitable grocery store. Housebound after spinal surgery, I came upon these novels. —The Melbourne Review “The Neapolitan novels move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. —Booklist (starred review) Praise for The Neapolitan Novels "Ferrante's Naples Quartet is anything but theater. It makes us think of how we would like to be remembered (or not). To see what your friends thought of this book, yes. They are sophisticated, funny, heartfelt, and sizzling with feminist anger. Nevertheless, she is the … I think Book 4 is a quite a disturbing book in the face of human tragedy. I found the slightly vague “magic realism” elements of the first book a bit forced, and appreciated instead the raw, sometimes brutal, emotional realism, so perfectly observed, and so heartbreaking. She is also the author of Incidental … The uncondit. I just HAD to have the next part by the following day and then the third one and the last one. New Yorker . This also becomes a significant theme in the second Neapolitan novel – The Story Of A New Name – and I suspect in the later novels in the series as well. Alora. . . The other review, about how good they are can be found here. Stunning. I thoroughly enjoyed reading te first part (My Brilliant Friend), I read it in two days late into the night (which I deeply regretted in the following mornings but I just couldn´t help it :). Lila will not be owned. Elena Ferrante’s Neapolitan novels have taken the world by storm. I've never read anything quite like this. I was also at times struck with anxiety and a soft sadness. —The Melbourne Review “The Neapolitan novels move far from contrivance, logic or respectability to ask uncomfortable questions about how we live, how we love, how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. I should say these are 4 books. This series had that - all I wanted to do for a few weeks was just read these books at any spare moment. This fourth and final installment in the Neapolitan Novels series gives validation to the New York Times Book Review’s opinion of its author, Elena Ferrante, as “one of the great novelists of our time.” Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable Lila. Their paths are now so different, that the common ground they once shared is proving difficult to cling onto in their now fraught relationship. As Elena puts it in the final passage “Unlike stories, real life, when it has passed, inclines towards obscurity, not clarity”, So, to conclude, these novels about strong female friendship and Neopolitan life over such a changing time in Italian history, are perhaps books that will make you think, books that will broaden your mind, books “that you will return to again and again, and each return will bring new revelations.”. I've been so immersed in their stories I feel like a part. I love the simplicity of the sentences, especially the last line. “The Neapolitan Novels tell a single story with the possessive force of an origin myth.” —Megan O’Grady, Vogue “Elena Ferrante is one of the great novelists of our time… This is a new version of the way we live now – one we need, one told brilliantly, by a woman.” —Roxana Robinson, The New York Times Book Review ‘I placed the box on the parapet, and pushed it slowly, a little at a time, until it fell into the river, as if it were her, Lila in person, plummeting, with her thoughts, words, the malice which she struck back at anyone, the way she appropriated me, as she did every person or thing or event or thought that touched her: book and shoes, sweetness and violence, the marriage and the wedding night, the return to the neighborhood in the new role of Signora Raffaella Carracci’. Of all Ferrante’s female protagonists, the narrator of the Neapolitan novels, Elena Greco, is the least interesting. 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